{"id":216,"date":"2016-09-01T12:26:51","date_gmt":"2016-09-01T11:26:51","guid":{"rendered":"http:\/\/www.cliosimon.com\/?page_id=216"},"modified":"2026-01-14T23:55:11","modified_gmt":"2026-01-14T22:55:11","slug":"biographie-et-cv","status":"publish","type":"page","link":"https:\/\/www.cliosimon.com\/portfolio\/biographie-et-cv\/","title":{"rendered":"Biographie et CV"},"content":{"rendered":"<h2 class=\"font_12 bleu marge_bas_4\" style=\"text-align: center;\"><span style=\"color: #003300;\"><strong>\u00a0<span style=\"color: #666699;\">C L I O \u00a0 S I M O N<\/span><\/strong><\/span><br \/><span style=\"color: #808080;\"><strong>R\u00e9alisatrice, vid\u00e9aste<\/strong><\/span><\/h2>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>PORTFOLIO \u00e0 t\u00e9l\u00e9charger :<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.cliosimon.com\/portfolio\/wp-content\/uploads\/2026\/01\/Book-avec-codes-CLIO-SIMON-2026comp.pdf\">Book-CLIO SIMON-2026<\/a><\/p>\n<hr \/>\n<p data-start=\"0\" data-end=\"93\">Dipl\u00f4m\u00e9e du Fresnoy &#8211; Studio national, Clio Simon \u0153uvre dans le champ des arts contemporains.<\/p>\n<p data-start=\"95\" data-end=\"401\">Dans ses r\u00e9alisations \u00e0 caract\u00e8re po\u00e9tique et documentaire, elle d\u00e9veloppe l\u2019id\u00e9e selon laquelle les hommes non seulement vivent en soci\u00e9t\u00e9 mais fabriquent constamment de la soci\u00e9t\u00e9 pour vivre. Imaginaire et r\u00e9el se retrouvent intrins\u00e8quement li\u00e9s pour interroger les fondements de nos soci\u00e9t\u00e9s.<\/p>\n<p data-start=\"403\" data-end=\"1162\" data-is-last-node=\"\" data-is-only-node=\"\">Les films de Clio Simon racontent l\u2019histoire de luttes po\u00e9tiques et discr\u00e8tes. Elles sont le fruit d\u2019un processus lent. Le point de d\u00e9part de leur \u00e9criture est souvent celui d\u2019une incompr\u00e9hension ou d\u2019une m\u00e9connaissance dont elle souhaite se d\u00e9faire. \u00ab D\u00e9coloniser \u00bb, \u00ab r\u00e9apprendre \u00e0 voir \u00bb, \u00ab se risquer \u00e0 \u00bb l\u2019invite \u00e0 travailler en \u00e9troite collaboration avec des chercheurs pour mettre en commun leurs comp\u00e9tences. \u00c0 cet endroit de r\u00e9conciliation, entre sciences sociales et po\u00e9sie, Clio Simon privil\u00e9gie une relation sensible au \u00ab faire \u00bb. Oeuvrer importe autant que l\u2019\u0153uvre aboutie. Une \u0153uvre jamais v\u00e9ritablement close puisque l\u2019artiste prend soin de laisser place \u00e0 une multitude d\u2019appropriation et d\u2019interpr\u00e9tation pour la rencontre avec les spectateur.ices.<\/p>\n<p data-start=\"403\" data-end=\"1162\" data-is-last-node=\"\" data-is-only-node=\"\">\u00a0<\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"color: #993366;\"><strong>S\u00c9LECTION D&rsquo;\u00c9V\u00c9NEMENTS<\/strong><\/span><\/li>\n<\/ul>\n<p style=\"font-weight: 400;\"><span style=\"color: #993366;\"><strong>2023\u00a0 <br \/><\/strong>Exposition collective aux<strong> Beaux Arts de Paris<\/strong>, projection \u00e0 La<strong>\u00a0Pop, <br \/><\/strong>Table ronde au <strong>Cin\u00e9ma Le Grand Rex, <br \/><\/strong><\/span><span style=\"color: #993366;\">Commande de l&rsquo;<strong>Ensemble TM+ <\/strong>\u00ab\u00a0SONG OFFERINGS\u00a0\u00bb.<br \/><strong><br \/>2022\u00a0 <br \/><\/strong>Acquisition par le<strong> FRAC Grand Large (Hauts de France) <\/strong>de \u00ab\u00a0Is it a true story telling?\u00a0\u00bb<strong><br \/><br \/>2021\u00a0 <\/strong>\u00a0<\/span><br \/><span style=\"color: #993366;\">Laur\u00e9ate<\/span><strong><span style=\"color: #993366;\"> Mondes Nouveaux<\/span><\/strong><\/p>\n<p>2021\/2024 <br \/>ARTISTE ASSOCI\u00c9E \u00c0 <a href=\"http:\/\/www.lamalterie.com\/\" target=\"_blank\" rel=\"noopener\">LA MALTERIE<\/a><\/p>\n<p><span style=\"font-size: inherit;\"><strong>2021\/2022<br \/><\/strong>RECHERCHE ET CR\u00c9ATION AVEC LE CHAD <em>CENTRE D\u2019HISTOIRE ET D&rsquo;ANTHROPOLOGIE<\/em> (PARIS NANTERRE)<\/span><\/p>\n<p><span style=\"font-size: inherit;\"><strong>2021<\/strong>, <br \/><\/span><span style=\"font-size: inherit;\"><span style=\"color: #993366;\"><strong>LES RENCONTRES DE LA PHOTOGRAPHIE D&rsquo;ARLES<\/strong><\/span><br \/><\/span><span style=\"font-size: inherit;\"><strong><span style=\"color: #993366;\"><a style=\"color: #993366;\" href=\"https:\/\/www.crp.photo\/exposition\/clio-simon-oikos\/\" target=\"_blank\" rel=\"noopener\">EXPOSITION MONOGRAPHIQUE AU CRP\/ sous le commissariat de Muriel Enjalran<\/a><br \/><\/span><\/strong><br \/><\/span><span style=\"font-size: inherit;\"><strong>SAISON 2019\/2020<\/strong>, <br \/><span style=\"color: #993366;\">ARTISTE ASSOCI\u00c9E AU CRP\/<\/span><\/span><\/p>\n<p><strong>2019<\/strong><br \/><strong><span style=\"color: #993366;\">PRIX \u00ab BROUILLON D\u2019UN R\u00caVE \u00bb<\/span> <a href=\"https:\/\/www.scam.fr\/lessentiel\/bourses-brouillon-dun-reve\/brouillon-dun-reve-ecritures-et-formes-emergentes\/\" target=\"_blank\" rel=\"noopener\">SCAM<\/a><\/strong><br \/><span style=\"color: #993366;\"><strong><a style=\"color: #993366;\" href=\"https:\/\/on-tenk.com\/fr\/documentaires\/les-films-du-fide\/is-it-a-true-story-telling-\" target=\"_blank\" rel=\"noopener\">PRIX T\u00cbNK<\/a><\/strong><\/span><\/p>\n<p><strong>2018<\/strong><br \/>EXPOSITION, <span style=\"color: #993366;\">HORS PISTES \/ CENTRE POMPIDOU<\/span> (PARIS)<br \/><strong>PRIX WICAR (ROME)<\/strong><br \/>COPRODUCTION<a href=\"https:\/\/www.ircam.fr\/agenda\/is-it-a-true-story-telling\/detail\/\" target=\"_blank\" rel=\"noopener\"> IRCAM\/<\/a>CENTRE POMPIDOU<\/p>\n<p style=\"font-weight: 400;\"><strong>2017<\/strong><br \/>RECHERCHE ET CR\u00c9ATION \u00c0 L\u2019EHESS (PARIS)<\/p>\n<p style=\"font-weight: 400;\"><strong>2015,<\/strong> <br \/>EXPOSITION \u00c0 LA <strong>GALERIE MAUBERT<\/strong> (PARIS) PAR L\u00c9A BISMUTH<\/p>\n<p><strong>2014,<\/strong> <br \/>COPRODUCTION <strong><a href=\"https:\/\/medias.ircam.fr\/x01ca6c\" target=\"_blank\" rel=\"noopener\">IRCAM<\/a>\/CENTRE POMPIDOU<\/strong><\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #993366;\">&gt; \u00a0SES R\u00c9ALISATIONS SONT DISTRIBU\u00c9ES PAR <strong><a style=\"color: #993366;\" href=\"https:\/\/www.exquise.org\/auteur.php?id=4596&amp;l=fr&amp;l=fr\" target=\"_blank\" rel=\"noopener\">HEURE EXQUISE!<\/a> <\/strong>ET LE <strong>FRESNOY-STUDIO NATIONAL<\/strong>.<\/span><\/p>\n<ul>\n<li dir=\"ltr\"><span style=\"color: #ff9900;\"><strong>2021, laur\u00e9ate de l&rsquo;Appel \u00e0 Manifestation d&rsquo;Int\u00e9r\u00eat \u00ab\u00a0<a style=\"color: #ff9900;\" href=\"https:\/\/www.culture.gouv.fr\/Aides-demarches\/Dispositifs-specifiques\/Mondes-nouveaux\/264-projets-artistiques-pour-des-Mondes-nouveaux\" target=\"_blank\" rel=\"noopener\">Mondes Nouveaux<\/a>\u00ab\u00a0, Clio Simon travaille depuis plusieurs mois \u00e0 la cr\u00e9ation d&rsquo;une \u0153uvre sonore indisciplin\u00e9e, intitul\u00e9e provisoirement <em>RHAPSODIE JURIDIQUE<\/em>.<br \/><br \/><\/strong><\/span><\/li>\n<li dir=\"ltr\"><span style=\"color: #ff9900;\"><strong>Laur\u00e9ate de la Bourse de la <a style=\"color: #ff9900;\" href=\"https:\/\/www.scam.fr\/lessentiel\/bourses-brouillon-dun-reve\/brouillon-dun-reve-ecritures-et-formes-emergentes\/\" target=\"_blank\" rel=\"noopener\">Scam \u00ab\u00a0Brouillon d&rsquo;un R\u00eave\/ Forme \u00e9mergente<\/a>\u00ab\u00a0, et \u00a0happ\u00e9e par l&rsquo;urgence po\u00e9tique, elle travaille \u00e0 la r\u00e9alisation d&rsquo;une \u0153uvre filmique, pour 2023, intitul\u00e9e \u00ab\u00a0L&rsquo;attrapeur de nuages\u00a0\u00bb.<\/strong><\/span><\/li>\n<\/ul>\n<p class=\"marge_bas_14\">Clio Simon poursuit ses collaborations avec le <a href=\"https:\/\/www.lefresnoy.net\/fr\" target=\"_blank\" rel=\"noopener\">Fresnoy-Studio national<\/a> (dipl\u00f4m\u00e9e en 2015), l&rsquo;<a href=\"https:\/\/medias.ircam.fr\/x01ca6c\" target=\"_blank\" rel=\"noopener\">Ircam\/Centre-Pompidou<\/a>, <a href=\"https:\/\/www.exquise.org\/auteur.php?id=4596&amp;l=fr&amp;l=fr\" target=\"_blank\" rel=\"noopener\">Heure Exquise!<\/a> et l&rsquo;<a href=\"https:\/\/www.ehess.fr\/fr\" target=\"_blank\" rel=\"noopener\">EHESS<\/a> (Ecoles des Hautes Etudes en Sciences Sociales) de Paris.<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0C L I O \u00a0 S I M O NR\u00e9alisatrice, vid\u00e9aste PORTFOLIO \u00e0 t\u00e9l\u00e9charger : Book-CLIO SIMON-2026 Dipl\u00f4m\u00e9e du Fresnoy &#8211; Studio national, Clio Simon \u0153uvre dans le champ des arts contemporains. Dans ses r\u00e9alisations \u00e0 caract\u00e8re po\u00e9tique et documentaire, elle d\u00e9veloppe l\u2019id\u00e9e selon laquelle les hommes non seulement vivent en soci\u00e9t\u00e9 mais fabriquent constamment [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-216","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P7QcWA-3u","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/pages\/216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/comments?post=216"}],"version-history":[{"count":58,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/pages\/216\/revisions"}],"predecessor-version":[{"id":1187,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/pages\/216\/revisions\/1187"}],"wp:attachment":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/media?parent=216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}