{"id":26,"date":"2016-08-27T22:12:31","date_gmt":"2016-08-27T21:12:31","guid":{"rendered":"http:\/\/www.cliosimon.com\/?p=26"},"modified":"2021-03-31T12:06:28","modified_gmt":"2021-03-31T11:06:28","slug":"diable-ecoute","status":"publish","type":"post","link":"https:\/\/www.cliosimon.com\/portfolio\/diable-ecoute\/","title":{"rendered":"\u00ab\u00a0Diable \u00e9coute\u00a0\u00bb"},"content":{"rendered":"<div class=\"description\">\n<h1 class=\"bleu font_16 marge_bas_4\"><strong>DIABLE ECOUTE<\/strong><\/h1>\n<p>(10 min, 2015, France)<\/p>\n<hr \/>\n<p><a href=\"https:\/\/vimeo.com\/149027153\" target=\"_blank\" rel=\"noopener noreferrer\">TEASER<\/a><\/p>\n<p><strong><a href=\"https:\/\/www.contrechamps.ch\/biographie-elipe\">Conf\u00e9rence<\/a><\/strong>\u00a0(IRCAM, centre Pompidou)<\/p>\n<p class=\"font_12 gris\"><strong>Film en \u00a0entier <\/strong><strong><a href=\"https:\/\/vimeo.com\/album\/3369827\/video\/131442449\">(vo)<\/a>\u00a0&#8211; <a href=\"https:\/\/vimeo.com\/album\/3410661\/video\/130333754\">(english)<\/a>\u00a0 &#8211;<\/strong><em>Demander le code d&rsquo;acc\u00e8s-<\/em><\/p>\n<hr \/>\n<p class=\"font_10 gris marge_bas_8\"><strong>Production :<\/strong>\u00a0\u00a0<a href=\"http:\/\/www.lefresnoy.net\/fr\/Le-Fresnoy\/presentation\">LE\u00a0FRESNOY-STUDIO NATIONAL DES ARTS CONTEMPORAINS<\/a>,\u00a0En collaboration avec\u00a0<a href=\"http:\/\/www.ircam.fr\/\">L&rsquo;IRCAM-CENTRE POMPIDOU,<\/a>\u00a0avec le soutien du\u00a0THEATRE DU NORD<br \/>\n<strong>Distribution :<\/strong> <a href=\"http:\/\/www.heure-exquise.org\/index.php\">HEURE EXQUISE<\/a><\/p>\n<hr \/>\n<p>Dans l\u2019immensit\u00e9 des choses, un orchestre monstrueux, une voix qui crie, et la terre qui se dresse encore, dans une vague immense. Voici ce qui nous reste du langage. Le cri dans ses \u00e9carts, ses bruissements et ses silences. Ce n\u2019est plus \u00e0 ce diable p\u00e9tri d\u2019argile que les trois hommes adressent leurs cris, mais \u00e0 un diable blanc. Chacun de leurs gestes font retour dans l\u2019Histoire.<\/p>\n<p>Ce triptyque met en lumi\u00e8re trois gestes en prise avec l\u2019Histoire et ses contradictions. R\u00e9flexion esth\u00e9tique et politique jouant des codes visuels picturaux et narratifs,\u00a0 \u00ab Diable \u00e9coute \u00bb interroge sur de nombreuses dimensions de la vie et de la mort.<\/p>\n<\/div>\n<div class=\"description2\">\n<hr \/>\n<p>Sc\u00e9nario : Clio Simon &#8211;\u00a0Musique originale : Javier Elipe Gimeno &#8211;\u00a0Casting : Miguel Rubio \u2013 Audrey Liebolt \u2013 Nicolette Picheral \u2013 Victor Guillemot &#8211; Johan Weber &#8211;\u00a0Image : Guillaume Brault &#8211; D\u00e9cors:\u00a0Clio Simon, Marc Simon, Arlette Simon &#8211;\u00a0Montage : Clio Simon &#8211;\u00a0Mixage : Christian Cartier &#8211;\u00a0Accompagnement artistique : Arnaud Petit<\/p>\n<hr \/>\n<\/div>\n<div class=\"prix\">\n<div class=\"prix_droit\">\n<p class=\"marge_bas_10\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.heure-exquise.org\/images\/croix_bleue.gif?resize=7%2C7\" alt=\"puce\" width=\"7\" height=\"7\" \/> <a class=\"bleu_surligne\" href=\"http:\/\/www.heure-exquise.org\/reserver.php?vid_id=9004&amp;vid_t=0\">r\u00e9server<\/a> (mise \u00e0 disposition temporaire de copie)<\/p>\n<\/div>\n<div class=\"pied\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>DIABLE ECOUTE (10 min, 2015, France) TEASER Conf\u00e9rence\u00a0(IRCAM, centre Pompidou) Film en \u00a0entier (vo)\u00a0&#8211; (english)\u00a0 &#8211;Demander le code d&rsquo;acc\u00e8s- Production :\u00a0\u00a0LE\u00a0FRESNOY-STUDIO NATIONAL DES ARTS CONTEMPORAINS,\u00a0En collaboration avec\u00a0L&rsquo;IRCAM-CENTRE POMPIDOU,\u00a0avec le soutien du\u00a0THEATRE DU NORD Distribution : HEURE EXQUISE Dans l\u2019immensit\u00e9 des choses, un orchestre monstrueux, une voix qui crie, et la terre qui se dresse encore, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":34,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-26","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oeuvres"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.cliosimon.com\/portfolio\/wp-content\/uploads\/2016\/08\/08_tableau-02.jpg?fit=1084%2C1080&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p7QcWA-q","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/posts\/26","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":46,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/posts\/26\/revisions"}],"predecessor-version":[{"id":803,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/posts\/26\/revisions\/803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/media\/34"}],"wp:attachment":[{"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/media?parent=26"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/categories?post=26"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cliosimon.com\/portfolio\/wp-json\/wp\/v2\/tags?post=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}